Remember, present every detail of your story, writing front to back using all of the senses, then edit for emphasis. You don't have to worry about where the hands are going until you're nicely warmed up. If you are not sure of what you wish to write in your sex scene, then it is best to commit to overwriting the scene first -- too much description, too long of a scene, covering every little detail. It's also important to be vivid about the sensations that result. Whenever you stop in the middle of a sex scene, then you'll probably come back to it in a completely different mood to when you left. Good sex scenes draw the reader into the scene and make them care about it. Adverbs are the tool of the devil. I pushed and with a quiet whoosh, the door opened, revealing the darkness of the hallway. I recently wrote a story about a very undersexed woman who ate an aphrodisiac ice-cream, growing gradually hornier and hornier throughout the story as she lost her inhibitions.
To paraphrase an infamous Author's Hangout saying: So realistic descriptions are not about what happens in the real world, per se, but what happens in the real world when the sex is good unless, of course, your story needs a bad sex scene for plot purposes. It is a bit of a difficult skill to get inside the heads of your characters, but well worth the effort of learning. The most important constant of good sex scenes is that they don't fixate on just the physical acts. Think about how much fun you get from undressing someone. For example, a woman who is naive, but uses sex as an attraction for men to want her, love her, would have a very different sex scene from a woman who knows what she wants in bed from a man and proceeds to get it. The first step in writing a good sex scene is read good sex scenes, and bad ones. That requires story, not just sex. If you're writing about an innocent virgin who's decided to experiment for the first time, then she'd use the words vagina, penis and breasts. Sometimes that's half the fun. As this is just a scene, you should go into more detail than you might in a story. Frequently, out audience will affect out choices. But then, they start taking over until every sentence has your character doing things softly and gently and slowly. What a good effort from Smith! Try not to be creative with euphemisms. She started off the story with vagina and then moved onto pussy. Of course, love is the most common and potentially powerful emotion connected with sex. Not to be tried at home. For me, a good sex scene is one that draws the reader in and makes them wish, or imagine, that they are there. It doesn't take a likable story either, or a sexual result that the reader wants to see. Just as a public service note here, unless it goes against the story subject we all should practice safe written sex. There are other things that are very useful to include. But in the end of this first scene, all the reader knows is that something big is coming. A strap falls from a shoulder, a zipper bulges, a crossed over leg bounces as she giggles embarrassingly -- you get the picture. A lot of people complain about difficulties getting characters to fall into bed. In your mind, she is sexy with large breasts and long flowing hair with sensuous lips.
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