Contains images that may not be safe for work. In fact, the case is an excuse to get Harry into the office to renew the offer of a real position with the agency. Their existence or non-existence has ultimately had no meaning. He was a leading man but not quite in the handsome and dashing movie star tradition. She opts for a too short Liza Minelli in Cabaret bob that emphasizes the sharpening angles of her face and boxy Mary Tyler Moore pants suits that hide the few curves she has. Somewhat of a spoiler alert, although since Night Moves is a Seventies movie you already know that the ending is going to be morally or dramatically ambiguous, probably both.
Night Moves gets underway with the friend calling Harry with a case to work on. The pain and injury are inflicted by a symbolism wielded like a blunt instrument. But by this point Harry needs this case to prove to himself and his wife he is what he wants to believe he is. No wonder that punches and flesh wounds that his movie heroes would have shrugged off hurt so much. Somewhat of a spoiler alert, although since Night Moves is a Seventies movie you already know that the ending is going to be morally or dramatically ambiguous, probably both. Either the man is so shocked and thrown by her ageDelly is sixteenthat he runs away or he is so taken by her beauty that his brain melts. But the anti-aesthetic is at work in more than just the casualness of the cinematography. But it was also the case that there was a general rejection of the movie making cliches of the Fifties and Sixties up until , one of which was the inclusion of lots of pretty pictures for the sake of pretty pictures. The question is can Harry face up to the sordidness and junkiness of his life? As soon as people die they disappear from the past as well as from the future. The point is that their meaningless and degrading deaths are of a piece with their lives. He refuses to see things as they really are. Like Nicholson and Pacino and Dustin Hoffman, he was that relatively new phenomenon, the character actor as leading man. They went about it in different ways and for different reasons. Happy ending or even an at least emotionally conclusive ones intentionally thwarted. A sixteen year old girl has run away from home. She has figured out that if she is quick to get naked she wins in one of two ways. But the most representative example of the Seventies anti-aesthetic is in the casting of Gene Hackman as Harry Moseby. Night Moves is existential noir. And on a stake-out the big mystery he uncovers is that his wife is cheating on him. The case is itself the McGuffin. There were no truly blue skies and all the buildings and sidewalks were grimy from car exhaust and factory smoke. Some of this is just the Seventies being the Seventies. But that depends on the meaning you are trying to give it. Paula and Harry quickly develop an agreement.
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